I will insert examples of my workflow for The real Pirate via screenshots of the project below.
The Real Pirate
Workflow is an incredibly important aspect of professional post-production sound and so a lot of effort went into managing and updating my workflow as I worked on The Real Pirate. from the ground-up, I organised the project to have the optimal organisation, putting anything involving ADR/Dialogue into a track folder labelled VX (Later renamed to DX to match industry standards for project organisation), Sound effects into a track folder called SFX, Ambience into a folder called Amb and any Music, including scoring I wrote, into a folder called Score. This allowed me to mute each category separately to check the mix for each group to make sure everything had it’s own place.
Before recording anything however, I ran a quick spotting session, with an example of some of this spotting in this post, which is a key aspect of correct audio post-production workflow (Cheung, 2023)
Research List
Cheung, R. (2023) Audio Post-Production Workflow Guide. Ottawa: MASV. available from https://massive.io/workflow/audio-post-production-workflow/
